The FFXIV Endwalker soundtrack feels very special
FFXIV is a very worth playing game, and many players also prepare some FFXIV Gil to make themselves happy. And beyond that, Final Fantasy XIV’s soundtrack is also very special, and the theme and artistry throughout are undisputed. This is especially true for Masayoshi Soken’s work in FFXIV. But there’s a better way to see how well-crafted this type of work is. That’s when they work in and out of the game. With Endwalker: FFXIV Original Soundtrack, its music is especially true.
In the FFXIV Endwalker expansion pack, the soundtrack is perfect for the current situation. “Tower of Zot” is incredible at setting the rhythm and tone of the dungeon. There are a lot of soundtracks that stack on top of each other at key moments like Ultima Thule’s “Echoes in the Distance,” “Close in the Distance (Instrumental),” and “Close in the Distance.” Songs like “The Ewer Brimmeth” and “The Nautilus Knoweth” capture the feel of an island nation, and one with an academic history.
The same goes for Radz-at-Han’s “Vibrant Voices” and “Perfumed Eves,” which convey the concept of a desert oasis. The FFXIV Endwalker soundtrack is incredible with or without the background although two of my favorites are the more modern tracks “Home Beyond the Horizon”, “White Snow, Black Steel” and “Black Steel, Cold” from Garlemald Embers". They are more modern themes. Each fits into the world of FFXIV and other shades and themes made by Souken.
For them, there is a greater sense of melancholy and a more modern character, which is perfectly suited to the area for those who know the area. It’s these tracks that make me realize just how far this latest soundtrack goes beyond the game. Maybe it’s the way I think they refer to FFVI. And for those who want to have more fun in the game, they can also buy FFXIV Gil on IGGM to make their journey even smoother.
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